It's a super cool concept if you think about it. Basically it gives you virtual 'pedals' which you can name. And I love my pre/eq sound, but hate the delay and want to try my delay setting from patch 50, i can pull that setting up by name (assuming I'd saved it off by name - slightly different process than saving the entire patch).

So lets say on patch 51 I'm using a different pre along with an eq and a delay. I can save that particular patch's delay setting to a name of it's own. So like if on patch 50, I've set it to be American Combo preamp w/delay, trem, and verb. But what's super cool is that you can save off an individual effects settings and name them - not just the patch name (which would include all the active effects as well as the preamp) but the given settings that you've used for delay on that patch. The parameters they offer give you a ton of control. They've got either a tap or an analog delay model that - perhaps not as realistic as some, I got some really nice sounds out of. They've got several different flavors of choruses, flangers, verbs and delays. Noise gates can be turned on or off and can be set in a way that allows for some nice note blooms for textural stuff. I'm looking for patch: kirk's wah (it's kirk hammet wah) and other metallica patches please help.Īny type of effect in any order.

If it was stereo and could be put anywhere in the chain, I'd pay to have my JM150 fixed and would still use it. The loop position is horrible admittedly though. There are some really cool things about how digitech designed the effects section. And get a j12 foot controller and have quite abit of flexibility. You could get a used Millenium 250 Head for relatively cheap i think. Have you considered getting a Johnson Millenium? Essentially it's the same pre as the 2112. I get much better tones out of the GSP 2101 then I ever got from any Line 6 product I have owned. I play classic rock right now and I should be able to get about any tone I need for this band out of these units.

The Saturated tube setting will get real high gain. The three different tube voices coupled with the extensive EQs available really allow you to get some nice tones, but you have to be willing to tweak. When I got it it had some old tubes in it and it didn't sound that great, but a tube swap with some good new tubes brought it to life. I just started setting up the 2101 this week. I just got a Digitech GSP 2101 and I also have a Digitech GSP 2112 on the way.

Digitech 2120 patch editor software